This is one of those weird shitty movies like Redneck Zombies that although it is bad and was made for no money, it still has a sort of charm that makes it legitimately (non-MST3K style) enjoyable. The plot is some guys accidentally turn their drug dealer into a crazed zombie and they have to stop him from killing all of them. Great post-punk soundtrack don't hurt nobody neither.
I had trouble explaining what The Brood was all about, but I'm at a loss as to how I can properly explain Blood Diner. The long and the short of it is that it's about a pair of brothers who are trying to resurrect a Lumerian goddess and they go about it by killing people and collecting their body parts. The parts they don't use get served to the customers in their "vegetarian" restaurant. This is all at the behest of their serial killer uncle, who's little more than a brain and a pair of eyes in a jar. This is a movie that truly has to be seen to be believed because a plot synopsis can, in no way, accurately portray how bizarre this movie is. There's a nude aerobics class, wrestling Nazis, ventriloquist dummies, random violence, and much, much more. A true menagerie of WTF moments. If you can find a copy of Blood Diner, I highly recommend it. 
The number of missing person cases is on the rise in New York, but no one wants to talk about it just so long as it's mostly the homeless people living in the sewers and abandoned tunnels under the city. But after his wife goes missing, Captain Bosch is having a hard time keeping all the missing person reports under wraps. Despite pressure from his superiors and the secretive jerkwads from the Nuclear Regulatory Commission, Bosch teams up with a photographer and the freaky guy who runs the local homeless shelter. Their mission: discover what happened to all those missing people and find out just what exactly C.H.U.D. stands for. Keep your eyes peeled for a young John Goodman as a cop in a diner.
Speaking of evil televisions, here's a movie about a haunted television that zombies crawl out of to kill you or be your friend. I sort of thought the fake movie in the movie "Zombie Blood Nightmare" was a well done imitation of Night of the Living Dead, but everything else sucks about this movie. Like, if they don't act scared the zombies just want to hang out and eat chili and go dancing. Also, there's a murder scene but they couldn't afford cop cars or cop costumes so there's just a red flashing light off screen and sound effects of policemen talking and their radios periodically going off. Let's not judge this movie bad because of economic status, though, hasn't Occupy Wall Street taught us anything? Let's judge it bad because of general terribleness.
Despite having seen and enjoyed David Cronenberg's The Brood, I'm having a hard time coming up with a competent synopsis for the film. It revolves, somewhat, around an unconventional psychotherapy practice called psychoplasmics, wherein a patient's negative emotions and traumatic memories can be channeled into physiological changes to their body. One patient somehow uses psychoplasmics to give birth to little demon faced children in snowsuits who beat people to death. While that's the plot of the film, more or less, it doesn't really tell the whole story. There's also a custody battle arc, some detective procedural elements, the classic Cronenberg body horror component, and killer children who are occasionally killed. And while I'm not sure I've made much of a case for this movie, it remains a worthy entry in Cronenberg's filmography and a uniquely original horror film.
As you can imagine, this movie doesn't really live up to the awesome title, as is the case with so many giallo movies (the best titled of course being Your Vice Is A Locked Room And Only I Have The Key). Oh well! The plot is there is a serial killer and a cop has to stop him. I think the tarantula is a metaphor, but I was reading and there was a nature video about spiders at some point when I looked up. Also, I got really excited when I saw that Ennio Morricone did the music but it sucks too, so don't get your hopes up like me is what I'm saying.
In the commentary for Gremlins 2: The New Batch, director Joe Dante describes the film as an "unnecessary sequel." Apparently, after the massive success of the first Gremlins film, Warner Brothers desperately wanted to cash-in with a sequel. Dante originally turned down the opportunity to direct the second film, but agreed to come on board a number of years later after he was given carte blanche and a budget roughly three times that of the original. What he gave Warner Brothers in return is quite possibly the most Joe Dante-ish film he's ever made, touching on virtually all of the directors trademarks (Looney Tunes, actors from the 1950s, Dick Miller, cameos for his other Roger Corman-era contemporaries, etc). The movie never takes itself too seriously, occasionally breaking the fourth wall and taking several opportunities to mock the original film. While it's not a movie that I get the urge to revisit as often as the original, I'm not sure that it would've been possible to make a better follow-up to the first movie. 
Ok, so everybody knows this one I guess. Two bumbling idiots, one fat and one skinny, meet a bunch of Universal Horror monsters, shenanigans ensue. It's called Abbott and Costello Meet Frankenstein, but they spend a lot more time interacting with Dracula and also a mean dude who has them arrested, but maybe it doesn't have the same ring, who am I, Don Draper? Anyway, if you've ever seen an episode of Scooby Doo or The Munsters, you've probably seen all the jokes in this movie.
The best thing about Slaughter High is the poster art, while the movie itself is actually pretty boring and lame. Back in the day, it was pretty common for genre film makers to try to cover up just how shitty their movies were by releasing kickass promotional art. Before the internet, a really cool poster or VHS cover went a long way in persuading people to see shitty movies. While I'm sure Slaughter High has a cult following, I'm willing to bet that most people who've seen the movie were lured in by the promise of sweater wearing skeletons with exploding apples. What they got, however, was a bland prank-gone-awry/revenge slasher made by a bunch of Brits doing terrible American accents. 
Ok guys I guess I was wrong about Poltergeist II being so shitty because this is the shit of the shit. The plot is Carol Anne lives with her aunt and uncle in a fancy new apartment building but the ghosts come back, oh no! There's a psychologist who claims the little girl is hypnotizing everybody, and lots of mirrors, and a really awful non-Jerry Goldsmith synthesizer score. It all adds up to awful, so you gotta feel extra bad that the little girl died during production. Whelp, the world's cruel and empty, and if you want to experience a little bit of that cruelty just watch this and see what kind of feelings you have.
Brad Pitt's first big movie gig was in Cutting Class, an uninspired slasher film from 1989. I'm willing to bet that he wishes nobody remembered this movie and that they would stop putting his face so prominently on the DVD cover. That's not to say he does an especially bad job in the flick, but its hard to shine when you're in a turd like Cutting Class. The movie is about a troubled teen named Brian (not Brad Pitt) who's just been released from a mental hospital. Brian falls in love with Paula (also not Brad Pitt), but she's got a douchey boyfriend named Dwight (aka Brad Pitt). Now, if I hadn't already said "mental hospital" in the plot synopsis, you'd probably have a hard time believing that I was talking about a horror movie. But rest assured fright fans, this movie contains a handful of kills, a pervy Roddy McDowall, and some bizarre comic relief scenes that involve Martin Mull getting shot with arrows. 
I always thought of this movie as a rip off of The Sixth Sense, but I never actually saw it until today. It's pretty good I guess - the twist was ruined for me years ago, but it sounded pretty interesting because of it. One thing that sucks *SPOILERS* is that how come Nicole Kidman and her kids get to keep being the owners of the house and the servants have to keep being servants even though they're all dead? That's a pretty shitty afterlife imho.
Night of the Creeps (directed by Fred "Monster Squad" Dekker) is a real hodgepodge of a movie, it's sort of a zombie movie with hints of buddy comedy, slasher homage, college hijinks, "nerd gets the girl" fantasy, grizzled cop pastiche and 1950s-style sci-fi/horror. While that might sound like a jumbled mess, the movie is actually coherent and enjoyable. Basically, it's the story of some experimental alien slug parasite things that land on Earth in the 1950s. They infect some douchey frat guy who is subsequently cryogenically frozen for 30+ years until our nerdy heros release him from stasis in order to get into a fraternity so one of them can impress a sorority babe. The slug things start infecting people on campus and its up to the nerds, the hot chick and a mentally unstable cop to save the day. Now tell me, who can't relate to a story like that?
This is the first R-Rated movie I saw in the theater. At the time I was like "Awesome, people getting shot in the head, titties, and vampires!" Now I am like "Uggggghhhhhhhh *dies*." It embodies all of the worst elements of 90s action movies, from terrible rock soundtracks to dialogue that sounds ripped off from Pulp Fiction (duh) to bad CGI to Juliette Lewis, but I guess I need to give it a little bit of credit for being a crime movie that all of a sudden turns into a vampire movie (spoilers).
Orca (aka Orca: The Killer Whale) is one of the earliest entries in the Jaws rip-off subgenre of horror films. In the movie, some fishermen try to capture a killer whale for captivity but end up causing it to miscarry and die. The killer whale's mate goes on an epic quest for revenge, causing damage to the local fishing community and killing off members of the doomed fishing crew. The movie is kinda brutal (note the aforementioned miscarriage scene) and mean spirited and there aren't really any sympathetic characters to root for. The use of stock footage for some of the killer whale scenes can also be inconsistent at times, but that's usually par for the course when it comes to movies like this. Orca is kinda like Death Wish except with a fake killer whale instead of Charles Bronson.
Do you like stories where ghosts and skeletons and racist Indian caricatures appear? Then this is the movie for you! Nah, it's actually pretty bad in case you couldn't tell. The plot is the family from the way good first movie still has ghosts, and also HR Giger designed vomit worms. So then they get rid of them through some kind of spells and also grandma's angel, ain't it grand?
Invasion of the Body Snatchers was probably the first black and white movie I ever saw and it clearly made an impression on me. I watched it on TV and I can still remember the disconnect that happened every time the movie went to or returned from commercials (said commercials included Heavy D promoting Sprite, because I am an old man). Some people might consider Invasion of the Body Snatchers to be more science fiction than horror, but in my experience when you're talking about movies from the 1950s there's hardly any real difference between the two genres. In the movie, in what may or may not have been an allegory about communism/McCarthyism, our hero finds that the people in his small town have been slowly and systematically replaced by duplicates devoid of emotions and individuality. The movie's been parodied and remade dozens of times so you're likely already familiar with the story, but if you haven't already seen the 1956 original I would highly recommend it.
Everybody was talking a whole bunch about how this movie from 2009 is great, it's totally like a great 80s horror movie, man. Well, let's be real about 80s horror movies for a second - most of them are basically the worst. They're not as bad overall as 90s horror movies, but you gotta sift through a whole lotta Deadly Friends to find the gems. Anyway - The House Of The Devil is as good as one of the better mediocre 80s horror movies, and it has a real orchestra soundtrack and no Avid farts so I think it gets some major pointage there. The plot is a college student goes to a house to babysit but be careful because I bet I know whose house that is!
A Nightmare on Elm Street 3: Dream Warriors is easily one of the best movies in the Nightmare on Elm Street series, despite being jokier than the first film and substantially less gay than the second one. Dream Warriors finds a group of troubled and horny teens at a psychiatric hospital being terrorized by notorious child murderer and sweater enthusiast Freddy Krueger. Luckily for them, O.G. final girl Nancy Thompson is there to help out. I always liked Dream Warriors because it tried to broaden the scope of the franchise by adding in little things like the dream suppressant drug Hypnocil and the whole "son of a hundred maniacs" backstory for Freddy. And who could forget that sweet theme song by Dokken?
I bought this for $2 at a garage sale along with every other graphic novel there, and I wasn't expecting much more than a Spiderman/Daredevil/ninja thingie that I could keep in the classroom for my students to read. It's actually a very dark book with experimental, superb writing and art—even the "extra" characters are interesting and sympathetic enough that you're kinda bummed out when they get introduced and chopped to sashimi in 3 or 4 panels. The main character is a sort of villain and eloquent nihilist, and when he got killed in the end by that werewolf (spoiler) I was probably sadder than I was when my pet mouse died on Christmas Day when I was a kid. Time's a holocaust, eh?
Dear Kenneth Branagh:
A Beer For Every State #13 - Illinois
When I say that Rise of the Planet of the Apes is one of the best genre films of the year so far, I'm not monkeying around. The quality of the visual effects and motion capture performances will make you go bananas. You'll forget all about that horrible Tim Burton Planet of the Apes film from ten years ago, like... like... like so much thrown feces. Seriously though, Rise of the Planet of the Apes is a pretty solid flick. What it lacks in Heston, it makes up for in Lithgow.
Another soundscape album of semi-songs by Sonic Youth, I feel that somehow this one seems like less of a throwaway experiment and more like a mature work by musicians extremely deep into their career. On the other hand, nobody reading this blog post would enjoy it, so bear that in mind before you run out to make a purchase.
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