Rating: 78%
(Image from Wikipedia)
Short reviews of pretty much whatever. Finally, you can discover if Frosted Flakes Gold has more social worth than Illmatic or Romeo and Juliet by Shakespeare.
Alligator is way better than it has any right to be. An unapologetic, low-budget, Jaws rip-off that manages to find the perfect balance of schlock and awe. The titular alligator even looks surprisingly good, thanks to the mixture of practical special effects with old timey forced perspective shots. The plot of Alligator is pretty standard for this type of movie: our hero, Robert Forster playing a balding cop, teams up with a sexy redheaded reptile expert to find and stop the renegade gator (renegator?) before it's too late. Throw in Henry Silva as a whacked out big game hunter, a subplot involving a shady chemical company, sleazy reporters, a big wedding, and some kids getting killed at a birthday party and you've got yourself one heck of a movie.
Matinee is a comedic coming of age story set against the backdrop of the Cuban Missile Crisis and the glory days of the B movie. John Goodman plays Lawrence Woolsey, a stand-in for classic B movie mastermind William Castle, who shows up in town with his new monster movie, Mant, and a boatload of gimmicks. Matinee blends together a lot of elements from 1950's and 1960's American culture (cold war paranoia, juvenile deliquency, teen culture, etc.) which muddies up the time frame a bit, but doesn't distract from the movie as a whole. Matinee is Joe Dante's love letter to the bygone era of the B movie.